NAMM 2012: The Winter NAMM Experience
If you’ve ever been to a NAMM show, it’s an experience you won’t soon forget. Check out some great pics we took that highlighted this years show!
Read moreIf you’ve ever been to a NAMM show, it’s an experience you won’t soon forget. Check out some great pics we took that highlighted this years show!
Read moreA look back at last weeks NAMM Show. We toured around the event looking for interesting subject matter and it wasn’t hard to find!
Read moreEnter now to win a Tanglewood TVC Koa S Acoustic-Electric Guitar!
Read moreThe day has finally arrived! It’s Nigel Tufnel Day! Yes, that’s right, the day that goes to E-L-E-V-E-N. Look at the date. Yes, you CAN look at it. Eleven, eleven, eleven. So no matter whether you are a druid with a BIG BOTTOM or you’re stuck in a HELL HOLE, crank up the Marshall Amplifier all the way up, and let the sustain go, Ahhhhhh!
Read moreThrough the years I have bought and sold a number of guitars and plucked away on countless others in shops and at the homes of friends. Some of my purchases were practical and well thought out while others were impulse buys and as such I have found two tools I rely on when shopping for guitars.
Read moreAs one of the most popular and highly regarded guitars ever made, Gibson’s Les Paul guitar is also one of the most often forged. How can you avoid shelling out big bucks for a phony guitar? It’s not easy. And even experts are occasionally fooled by some of the fakes out there.
Read moreSome may not realize this, but the 1967 Flying V is actually a reissue. Gibson first released the Flying V in 1958 along with the ES-335, Explorer and Moderne. The ES-335 was an instant success, but the Flying V would receive the recognition it deserved nearly a decade later, which prompted the reissue.
Read moreWhile you probably have never heard the name ‘George Beauchamp’ before, if you play electric guitar, well then you owe him a debt of gratitude. Because it was Beauchamp, working with Adolph Rickenbacker who created the first commercially viable method of stringed-instrument amplification.
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