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	<title>Comments on: Unlocking the Neck</title>
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	<description>A Social Network for Guitarists</description>
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		<title>By: Unlocking the Neck: part 2 &#124; Share My Guitar</title>
		<link>http://sharemyguitar.com/blog/unlocking-the-neck/comment-page-1/#comment-1378</link>
		<dc:creator>Unlocking the Neck: part 2 &#124; Share My Guitar</dc:creator>
		<pubDate>Sun, 31 Jan 2010 17:01:21 +0000</pubDate>
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		<description>[...] article is for that purpose. Busting out of the pentatonic box. Hopefully some of you checked out part one which deals with the A minor scale on the high E string. It&#8217;s important to try and write [...]</description>
		<content:encoded><![CDATA[<p>[...] article is for that purpose. Busting out of the pentatonic box. Hopefully some of you checked out part one which deals with the A minor scale on the high E string. It&#8217;s important to try and write [...]</p>
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		<title>By: Dan Grigor</title>
		<link>http://sharemyguitar.com/blog/unlocking-the-neck/comment-page-1/#comment-1300</link>
		<dc:creator>Dan Grigor</dc:creator>
		<pubDate>Sat, 16 Jan 2010 07:18:23 +0000</pubDate>
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		<description>good stuff. Know as many variations of the scale as you can. This is great for the long climbing riffs or full scale descending hammerpull combinations...
diddledeediddle de diddle de diddle de dum

awesome when the bass guy meets you there</description>
		<content:encoded><![CDATA[<p>good stuff. Know as many variations of the scale as you can. This is great for the long climbing riffs or full scale descending hammerpull combinations&#8230;<br />
diddledeediddle de diddle de diddle de dum</p>
<p>awesome when the bass guy meets you there</p>
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